To create oil paintings, I usually begin with the aid of photography. Even so, photography is used as a point of departure. Photographs simplify capturing the light, which changes in minutes during a sitting. It captures a pear at the peak of perfection and certainly saves the portrait subject many hours of sitting. My painting process is time consuming. I utilize techniques of the Old Masters, beginning with an underpainting of raw umber and white. Once this is complete I begin the color. There are many layers of color and these are finished with glazes. Occasionally, I will ask a subject for a short sitting once the portrait is in progress. Usually, one or two hour-long photography sessions will suffice. I am very particular about light. I prefer natural to studio lighting and indoor to outdoor. The success of a painting depends largely on the quality of light.
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